Literature and Film: A Guide to the Theory and Practice of Film Adaptation
October 2004, Wiley-Blackwell
Notes on Contributors.
Introductory Essay: The Theory and Practice of Adaptation: Robert Stam.
1. Improvements and Reparations at Mansfield Park: Tim Watson (Princeton University).
2. Keeping the Carcass in Motion: Adaptation and Transmutations of the National in The Last of the Mohicans: Jacquelyn Kilpatrick (California State University, Channel Islands).
3. The Discreet Charm of the Leisure Class: Terence Davies's The House of Mirth: Richard Porton (Cineaste magazine).
4. In Search of Adaptation: Proust and Film: Melissa Anderson (CUNY Graduate Center).
5. The Grapes of Wrath: Thematic Emphasis through Visual Style: Vivian C. Sobchack (UCLA).
6. Cape Fear and Trembling: Familial Dread: Kirsten Thompson (Wayne State University).
7. The Carnival of Repression: German Left Wing Politics and The Lost Honor of Katarina Blum: Alexandra Seibel (New York University).
8. Serial Time: Bluebeard in Stepford: Bliss Cua Lim (University of California, Irvine).
9. Boyz ‘N the Hood Chronotope: Spike Lee, Richard Price, and the Changing Authorship of Clockers: Paula J. Massood (Brooklyn College, CUNY).
10. Defusing The English Patient: Patrick Deer (New York University).
11. Carnivals and Goldfish: History and Crisis in The Butcher Boy: Jessica Scarlata (New York University).
12. Mild Revisionism, Failed Revolts: Esquivel's and Arau's Like Water for Chocolate, A Retrospective View: Dianna C. Niebylski (University of Kentucky).
13. Beloved: The Adaptation of an American Slave Narrative: Mia Mask (New York University).
14. Oral Traditions, Literature and Cinema in Africa: Mbye Cham (Howard University).
15. Memory and History in the Politics of Adaptation: Revisiting the Partition of India in Tamas: Ranjani Mazundar (Jamia Millia Islamia).
16. The Written Scene: Writers as Figures of Cinematic Redemption: Paul Arthur (Montclair State University).
Alessandra Raengo is finishing her PhD in the Cinema Studies Department at New York University. Her dissertation explores race and vernacular social criticism in American culture between 1945 and 1968. Among her publications are The Birth of Film Genres (1999) and The Bounds of Representation (2000), both multilingual volumes edited with Leonardo Quaresima and Laura Vichi.
- Brings together the very latest scholarship in the field of
literature and film studies, written by leading international
- Explores in detail a wide spectrum of novels and adaptations,
from established classics (The Grapes of Wrath, The Last
of the Mohicans ) to genre works (Dracula, Cape
Fear) to contemporary classics (The English Patient,
- Analyses individual films as well larger themes.
Richard Pea, Columbia University