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Computer Games and the Social Imaginary

ISBN: 978-0-7456-4110-2
248 pages
October 2013, Polity
Computer Games and the Social Imaginary (0745641105) cover image

Description

In this compelling book, Graeme Kirkpatrick argues that computer games have fundamentally altered the relation of self and society in the digital age.

Tracing the origins of gaming to the revival of play in the 1960s counter culture, Computer Games and the Social Imaginary describes how the energies of that movement transformed computer technology from something ugly and machine-like into a world of colour and ‘fun’. In the process, play with computers became computer gaming – a new cultural practice with its own values.

From the late 1980s gaming became a resource for people to draw upon as they faced the challenges of life in a new, globalizing digital economy. Gamer identity furnishes a revivified capitalism with compliant and ‘streamlined’ workers, but at times gaming culture also challenges the corporations that control game production.

Analysing topics such as the links between technology and power, the formation of gaming culture and the subjective impact of play with computer games, this insightful text will be of great interest to students and scholars of digital media, games studies and the information society.

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Table of Contents

Contents
Acknowledgements
Introduction
Chapter one: Computer games in social theory
1. Gaming and the social imaginary
2. The gamer as a ‘streamlined self’
3. Social theory and critique
Chapter two: Lineages of the computer game
1. The revival of play
2. Technology and the dialectic of invention
3. Artistic critique and the transformation of computing
Chapter three: The formation of gaming culture
1. From games as technology to the discovery of ‘gameplay’
2. The ‘authentic’ gamer
3. Gaming’s constitutive ambivalence
Chapter four: Technology and power
1. Organising an industry
2. Globalisation and cultures of production
3. Technology, power and resistance
Chapter five: The phenakisticon
1. MMPGs in recognition-theoretic perspective
2. The limitations of engineered sociability
3. Gamification and the diminution of gameplay
Chapter six: Aesthetics and politics
1. The aesthetic dimension
2. Art, play and critique
3. Critical gaming?
Notes
References
Index
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Author Information

Graeme Kirkpatrick is senior lecturer in sociology at the University of Manchester.
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The Wiley Advantage

  • An accessibly written text that sets games studies within the context of broader work on digital media more generally
  • A coherent, well-argued and well-structured book in which each chapters incorporates the dynamic history of the changing form of the game into its organisation and content
  • The book’s historical approach constitutes a distinctive intervention in computer game studies
  • Examines key topics such as the formation of gamer identity; the links between technology and power; and the subjective impact of play with computer games
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Reviews

"It is well researched, well argued, and one of the finest books to date on the subject of digital games."
New Media and Society

"The classic studies of games argue that play mirrors social life. But what kind of story must theory tell when society begins to resemble a game? This is the argument of Graeme Kirkpatrick's brilliant new book, Computer Games and the Social Imaginary. Drawing on recent social theory and an original analysis of the social role of aesthetics, Kirkpatrick makes a major contribution to our understanding of both games and society."
Andrew Feenberg, Simon Fraser University

"A rich and ambitious attempt to situate computer games relative to the transformation of capitalism over the last four decades. Kirkpatrick's thesis - which effortlessly combines sophisticated readings of the history of microcomputing and games with social and cultural theory - is nuanced, fresh and powerful. When I finished, I wanted to begin all over again."
Melanie Swalwell, Flinders University

"Kirkpatrick’s discussion of the social significance of computer games is very thought provoking, and provides a valuable inclusion to the field of media and game studies."
Christian Dewar, University of South Australia

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