August 2012, Polity
In this compelling book, the renowned historian Karl Schlögel reconstructs with meticulous care the process through which, month by month, the terrorism of a state-of-emergency regime spiraled into the ‘Great Terror’ during which 1 ½ million human beings lost their lives within a single year. He revisits the sites of show trials and executions and, by also consulting numerous sources from the time, he provides a masterful panorama of these key events in Russian history.
He shows how, in the shadow of the reign of terror, the regime around Stalin also aimed to construct a new society. Based on countless documents, Schlögel’s historical masterpiece vividly presents an age in which the boundaries separating the dream and the terror dissolve, and enables us to experience the fear that was felt by people subjected to totalitarian rule. This rich and absorbing account of the Soviet purges will be essential reading for all students of Russia and for any readers interested in one of the most dramatic and disturbing events of modern history.
Reproduction Acknowledgements xvii
Translator's Note xx
1 Navigation: Margarita's Flight 10
Margarita's fl ight – Manuscripts don't burn: a writer in 1937 – Relief map of the city, locations, staging posts – Dramatis personae and their portrayal: dual characters – NKVD, the organization – 'People vanished from their apartments without trace' – Sudden deaths, execution as spectacle – 'It can't be!'
2 Moscow as a Construction Site: Stalin's General Plan in Action 33
Aleksandr Medvedkin's film New Moscow – A new cityscape: Stalin's General Plan for the Reconstruction of Moscow – Moscow as a construction site: between demolition and new construction – Moscow beyond the ring roads – Human landscape, struggle for survival
3 A Topography of the Disappeared: The Moscow Directory of 1936 54
Snapshot of the status quo: directories as documents of their age – Topography of power and other locations – Traces of the disappeared – Lists of people to be shot and the posthumous reconstruction of their addresses
4 The Creation of Enemies: The Criminal Prosecution of the Trotskyite-Zinovievite Terrorist Centre, 19 - 24 August 1936 68
World-historical criminal cases: the rhetoric of the fi rst Moscow show trial – The echo of violence: how a latent civil war comes to be articulated in language – 'Double-dealers' – The birth of the show trial from the spirit of lynch-law – The ideal enemy
5 'Tired of the Effort of Observing and Understanding': Lion Feuchtwanger's Moscow 1937 81
A key scene in European intellectual history: Feuchtwanger's meeting with Stalin – The impotence of the anti-fascist movement: how to generate a point of view – The end of the fl âneur: journey in the shadow of the NKVD – The phenomenology of confusion and the creation of unambiguous meaning: credo quia absurdum – Leave-taking at Belorusskii Station
6 In the Glare of Battle: Spain and Other Fronts 95
Moscow maps: the scene is Spain – A world in meltdown, war scare – The Soviet nation as a patriotic fi ghting unit – Metastases: show trial in Barcelona, the NKVD abroad – Barcelona transfer: Moscow experiences
7 Blindness and Terror: The Suppressed Census of 1937 109
A journey into the interior of society – 6 January 1937: snapshot of an empire – Ten years after the census of 1926: balance sheet after the Great Leap Forward – Self-analysis, self-education, data acquisition – The shock of the missing millions – Statistics as crime
8 A Stage for the Horrors of Industrialization: The Second Moscow Show Trial in January 1937 125
'The Business-like atmosphere' – The language of expert witnesses – The topography of the Five-Year Plan – Human sacrifi ce, nemesis, chorus – Postscript
9 'A Feast in the Time of Plague': The Pushkin Jubilee of 10 February 1937 144
The New York Times: 'All Russia was Pushkin-mad today' – 'Comrade Pushkin': consecration of a classic – A feast in the time of plague: coded discourses – Platitudes of a new culture – Russian genius and imperial rule
10 Public Death: Ordzhonikidze's Suicide and Death Rites 160
The shock: Sergo is dead – Escape into ritual – Suicide as a weapon – A hopeless situation and protest – Death as a group experience: speaking of death in times of mass murder
11 The Engine Room of the Year 1937: The February-March Plenum of the Central Committee 177
A leadership at its wits' end: the voice of panic – Testing the limits and exceeding them: the Party indicts Bukharin and Rykov – The shock: 'universal, free, secret elections' – Audit report: ungovernability and fear of chaos – Wreckers at work in the NKVD – The dissolution of the Party and the creation of a new one – Setting the machinery in motion
12 Moscow in Paris: The USSR Pavilion at the International Exhibition of 1937 198
The exhibition trail: a journey through the map of the Soviet Union – The theme park of twentieth-century civilization – Marginal encounters
13 Red Square: Parade Ground and Place of Execution 209
14 Chopin Concert and Killing Ritual: Radio and the Creation of the Great Community 215
Radiofi katsia: the two faces of progress – Radio as the background noise of the new age – The sphere of feelings – Radio listeners as 'citizens of the world' – Stalin: the original soundtrack: the direction of the historical moment – Wreckers at work in the ether
15 Soviet Art Deco: Time Preserved in Stone 229
The First All-Union Congress of Architects, 16–26 June 1937 – Moscow as a building site – Chaos and stress – The Soviet universe as exhibition – The creation of a new style during a state of emergency – Closing speech: Frank Lloyd Wright
16 'Brown Bodies, Gaily Coloured Shorts': Sports Parade 248
'The glorious beauty of young people' – Fizkul'turnik, fi zkul'turnitsa: icons of the new age – 'Stalin's tribe': tableaux vivants in Red Square
17 Wealth and Destruction: The Seventeenth International Geology Congress in Moscow 256
The emergence of Soviet geologists: science and the dream of an affluent nation – Pioneers the nation does not need: geologists as enemies of the people – Vladimir Vernadskii: a patriot without fear – Excursion to the Moscow–Volga Canal: science and slave labour
18 A City by the Sea: The Opening of the Moscow–Volga Canal 274
After the White Sea Canal: Stalin's second arterial highway – A canal as a Gesamtkunstwerk: the aesthetics of a man-made riverscape – Dmitlag, the Gulag Archipelago at the gates of the capital: the parallel society of the camp zone – Perekovka/ reforging: the laboratory of the new man – 'I have seen a country that has been transformed into one great camp'
19 Year of Adventures, 1937: A Soviet Icarus 294
Triumphs, records: a city in a fever – Non-stop to America – The conquest of the Arctic – Twentieth-century adventures – Heroes of the age: Stalin's aviators – 'There are thousands of dreamers like me' – 'Bolshevik romanticism' and terror
20 Moscow as Shop-Window: The Abundance of the World, Hungry for Goods and Dizzy with Hunger 314
André Gide: on luxury and shortages – Advertisements, window displays: objects of desire and how to present them – Dizzy with hunger – A hopeless struggle: a nation of speculators – The queue as grapevine
21 Open Spaces, Dream Landscapes: Cruising on the Volga, Holidaying on the Red Riviera, Conspiracies in the Dachas 326
22 The National Bolshevik Nikolai Ustrialov: His Return Home and Death 332
Returning home from exile: establishing contact with the new Russia – National Bolshevism and Stalin's 'Socialism in One Country' – The world of 'former people' and 1937 – A double reading: a diary with comments by the NKVD
23 Celebrating the October Revolution on 7 November 1937 344
In the diplomats' box – Conversations in the inner circle of power
24 A Miniature of High Society before the Massacre 355
The bombs come closer – Beau monde, illustrious society – Masked ball at the American Embassy – Interior with piano and nursemaid – Yezhov's salon: art and the secret police – Postscript: inventory of luxury and fashion
25 Soviet Hollywood: Miracles and Monsters 372
Lenin in October: the Revolution corrected – The USSR as a land of film, picture palaces and stars – Mosfi lm 1937: chaos in the film factory – Volga-Volga: directors as conspirators, actors as spies – Terror and good entertainment
26 Death in Exile 387
Dimitrov's diary: a record of self-destruction – Vanishing point Moscow: biotope – Foreign comrades – Vulnerability: world communism as world conspiracy – Lists, dossiers and card indexes
27 Arcadia in Moscow: Stalin's Luna Park 404
'A centre of culture and rest' – 'What a summer!' – The locus of public opinion
28 'Avtozavodtsy': The Workforce of the Stalin Car Factories 413
'Shanghai': city of immigrants, city on the periphery – Ivan Likhachev, captain of industry – Factory patriotism: the factory as melting pot – 'Mass criticism', or the orchestration of hatred and despair
29 Dzhaz: The Sound of the Thirties 433
Dzhaz (Utesov) – Songs for the masses (Dunaevskii) – Classical music (Shostakovich)
30 Changing Faces, Changing Times 444
31 America, America: The Other New World 450
Ili' a Il' f and Evgenii Petrov's journey to America – Special relations: Soviet Americanism and the New Deal – The American way of life in 1937 – Utopia as present-day reality
32 'I Know of No Other Country . . .': 1937 and the Production of Soviet Space 463
The birth of the Soviet Union from the spirit of songs for the masses – Moscow as an image-making machine – Homogenizing labour: purges and the unity of the Soviet nation
33 The Butovo Shooting Range: Topography of the Great Terror 472
Looking for traces: the archaeology of the graveyard – Mass murder on the outskirts of the city – Sociology of the mass grave – Killing by quota: Order No. 00447 – World war, civil war
34 Lonely White Sail . . .: Dreamtime, Children's Worlds 505
35 Yezhov at the Bolshoi Theatre: Celebrating Twenty Years of the Cheka 510
At the heart of Moscow: power made visible – Celebratory speeches and music between the mass murders – Ovations for the executioners: morituri salutant
36 Bukharin Takes his Leave 519
Bukharin's final plea – The show trial: exercises in dialectics – The Lubianka: prison as a production site – Letter to Koba – A Moscow childhood in 1900
37 'For Official Use Only': Moscow as a City on the Enemy Map 538
38 The Foundation Pit 544
The imaginary centre: a support for the empire – The dome that disappeared: Russian Byzantium – Labouring away at a vacuum: fantasies of the building of the century – Rome, New York, Moscow: the genius of Boris Iofan – War, post-war, and the end of the state of emergency
39 Instead of an Epilogue 558
Select Bibliography 619
- An award-winning account of Stalin’s reign of terror when 1.5 million people lost their lives in a single year.
- Karl Schlögel reconstructs the process through which, month by month, the terrorism of a state-of-emergency regime spiraled into the ‘Great Terror’.
- He revisits the sites of show trials and executions and provides a masterful panorama of these key events in Russian history.
- Based on countless documents, Schlögel’s historical masterpiece enables us to experience the fear that was felt by people subjected to totalitarian rule.
- This absorbing account of the Soviet purges will be essential reading for all students of Russia and for any readers interested in one of the most dramatic and disturbing events of modern history.
"An almost impossibly rich masterpiece. The density and seriousness, the deliberation and literary art of this exhilarating tour de force testifies to the enduring value and purpose of that perhaps now-vanishing triumph of the human intellect, the book."
The Atlantic, best five books of 2012
"A dizzyingly brilliant panorama of the enormous variety of events and processes unfolding in Moscow between 1936 and 1938. Schlogel succeeds admirably - indeed, better than any historian to date - in reproducing the atmosphere and grotesque contradictions."
Times Higher Education
"Exceptionally readable. An extraordinary, thought-provoking masterpiece."
“An excellent and original book. Not only is it a highly detailed account of a city in turmoil (containing many more fascinating stories than a review can ever do full justice), but it reveals clearly how 1937 was a year of extreme contradictions”
"Schlögel's total history of Moscow during the fateful year ranks among the best of Sovietology."
"No book could be more equal to the task of restoring Stalin’s victims to Western memory than Schlögel’s Moscow, 1937 - it is an extraordinary work of scholarship, prose and remembrance."
Times Literary Supplement
"Schlogel's comprehensive overview gives a profound overall view of what it was like to live in such a crucial place in such a crucial year."
Dublin Review of Books
"It is great. Moscow, 1937 teaches us that life goes on as usual, even in the midst of great catastrophe, but it also teaches that great catastrophe can look a lot like life going on as usual."
Vol. 1 Brooklyn
"Compelling in every way, the book startles the mind and stirs the imagination in the way that only poetry and music can sometimes do. An instant classic."
"Karl Schlögel’s Moscow 1937 draws a living, multi-dimensional portrait of the megacity in a crucial year of upheaval that evokes all the hope, despair, creativity, horror, escapism, terror, fear, and striving that enveloped the Muscovite cityscape and its inhabitants. Schlögel is an unusually inventive historian and a brilliant stylist; it’s a great boon to have his latest work available in English."
Norman M. Naimark, Stanford University and author of Stalin’s Genocides
"This book’s focus is one year, 1937, and one place, Moscow, but it is no narrow history. The narrative has sweep and depth, encompassing the mundane, the spectacular, and the nightmare dream world of Stalin’s purges; an incomparable book about people during one of the most grandiose and terrifying epochs of the twentieth century."
David Shearer, University of Delaware
"Starting from a birds-eye view of the city from above, a homage to the flight of Bulgakov’s Margarita, Schloegel captures the complex specificity of a time and place of immense significance in Soviet and twentieth-century history. In this multivalent historical moment, interrogations at the Lubyanka coexist with happy summer vacations and the triumphant conquest of the North Pole by Soviet aviators. Schloegel brings into play an ingenious variety of sources, ranging from architectural blueprints and city directories to execution records, not forgetting diaries and literary evocations. This is a masterful, panoramic work by a gifted story-teller who is also a highly innovative, sophisticated and erudite historian."
Sheila Fitzpatrick, University of Chicago
"In brilliant fashion Karl Schlögel presents Moscow as a rotating stage of Soviet desire and Stalinist nightmares. Like no other author before him, he charges his prose and the sequence of scenes with the hallucinatory power of the Communist project. The vertiginous and terrifying effect is his very point and singular achievement."
Jochen Hellbeck, Rutgers University
"Karl Schlogel's Moscow 1937 is a brilliant essay of "Total history" on a crucial episode of Soviet history, on one of the greatest historical catastrophes of the Twentieth Century.This is the first book which goes beyond totalitarianism and revisionism and brings us a totally new interpretation of this tragic event by presenting together opposing experiences and manifestations such as the preparation for universal, free, direct and secret elections and carefully planned, organized mass killings. Or, in other words, Dream and Terror."
Nicolas Werth, Institut d’histoire du temps présent
"This is a montage of a great city in tumult, in equal parts depicting the optimism of progress and the horror of the show trials, all in the shadow of a looming war."
Andrew Cornish, Readings
"While most historians see both terror and civilisation as important to understanding the Soviet experience of the 1930s, they tend to spend their time investigating either one or the other. Schlögel is the first to attempt to knit them together so intricately. Moscow 1937 is an act of remembrance as well as a work of history.”
London Review of Books
"There is no book that so perfectly and completely captures the stark contradictions of Soviet life. Each scene is a marvel, and together they recreate for us a multisided and vanished world."
Wendy Goldman, Carnegie Mellon University, Pittsburgh, USA