Introduction.

Part One Taking Hitchcock Seriously.

Hitch and His Public (Jean Douchet).

Hitchcock’s Imagery and Art (Maurice Yacowar).

Retrospective (Robin Wood).

Hitchcock at Metro (Leonard J. Leff).

Part Two Hitchcock’s in Britain.

Hitchcock’s The Lodger (Lesley W. Brill).

Criticism and/as History: Rereading Blackmail (Leland Poague).

Alfred Hitchcock’s Murder!: Theater, Authorship, and the Presence of the Camera (William Rothman).

Consolidation of a Classical Style: The Man Who Knew Too Much (Elisabeth Weis).

Through a Woman’s Eyes: Sexuality and Memory in The 39 Steps (Charles L. P. Silet).

Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation (Patrice Petro).

Part Three Hitchcock in Hollywood.

All in the Family: Alfred Hitchcock’s Shadow of a Doubt (James McLaughlin).

The Moral Universe of Hitchcock’s Spellbound (Thomas Hyde).

Notorious: Perversion par Excellent (Richard Abel).

Strangers on a Train (Robin Wood).

Part Four The Later Films.

Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism (Robert Stam and Roberta Pearson).

Finding the Right Man in The Wrong Man (Marshall Deutelbaum).

Male Desire, Male Anxiety: The Essential Hitchcock (Robin Wood).

A Closer Look at Scopophilia: Mulvey, Hitchcock, and Vertigo (Marian E. Keane).

North by Northwest (Stanley Cavell).

The Universal Hitchcock (Ian Cameron and Richard Jeffery).

The Birds: A Mother’s Love (Margaret M. Horwitz).

Mark’s Marnie (Michele Piso).

Part Five Hitchcock and Film Theory: A Psycho Dossier.

Psychosis, Neurosis, Perversion (Raymond Bellour).

Psycho: The Institutionalization of Female Sexuality (Barbara Klinger).

Links in a Chain: Psycho and Film Classicism (Leland Poague).

A Brief Chronology.

Contributors