What Cinema Is!
April 2010, Wiley-Blackwell
- Written by one of the foremost film scholars of our time
- Establishes cinema's distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older mode
- Examines cinema's institutions and its social force through the qualities of key films
- Traces the history of an idea that has made cinema supremely alive to (and in) our times
Prologue: The Target of Film Theory.
1 The Camera Searching in the World.
Is a Camera Essential?
The Cahiers Axiom.
Tracing Bazin's Trace.
Images Contested Today.
2 The Editor's Discovery of Form.
Documentaries in the Cauldron of History.
The Cahiers Line.
Pursuing Cinema in the Twenty-First Century.
3 The Projector as Spectator's Searchlight.
The Power of Projection.
Opening the Screen's Dimensions.
Frame as Threshold.
Writing out of the Frame.
4 The Evolution of the Subjects of Cinema.
Modern Film: Between Classic and Avant-Garde.
The Ontogeny of Cinema.
Credits and Auteurs: An Ecology of Adaptation.
Fidelity: The Economy of Adaptation.
"A new slant on Bazin with fresh disclosures for our era of digital media is always welcome, especially from Dudley Andrew, Bazin's foremost expositor. Andrew's graceful and analytic prose is peppered with timely provocations of his own, starting with the Preface. Made manifest throughout is the continuing relevance of Bazin's devotion to cinema and compassion for humanity." Edward Branigan, University of California at Santa Barbara