 Art: History: Visual: Culture
ISBN: 978-1-4051-1965-8
Paperback
224 pages
May 2005, Wiley-Blackwell
US $29.95
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1. Art History Visual Culture: Deborah Cherry.
2. Oneiric Horizons and Dissolving Bodies: Buddhist Cave Shrine as Mirror Hall: Eugene Wang.
3. Senses and Sensibility in Byzantium: Liz James.
4. Gendering the Period Eye: Deschi de Parto and Renaissance Visual Culture: Adrian WB Randolph.
5. Visceral Culture: Blushing and the Legibility of Whiteness in Eighteenth-Century British Portaiture: Angela H. Rosenthal.
6. Making Sense out of the Visual: Aboriginal Presentations and Representations in Nineteenth-Century Canad: Ruth B Phillips.
7. Framing the Colony: Houses of Algeria Photographed: Zeynep Celik.
8. 'Modest Recording Instruments': Science, Surrealism and Visuality: David Lomas.
9. Art Beyond Aesthetics: Philosophical Criticism, Art History and Contemporary Art: Peter Osborne.
10. History as the Main Complaint: William Kentridge and the Making of Post-Apartheid South Africa: Jessica Dubow and Ruth Rosengarten.
Notes on Contributors.
Index.
Colour plate section falls between pages 90 and 91.
2. Oneiric Horizons and Dissolving Bodies: Buddhist Cave Shrine as Mirror Hall: Eugene Wang.
3. Senses and Sensibility in Byzantium: Liz James.
4. Gendering the Period Eye: Deschi de Parto and Renaissance Visual Culture: Adrian WB Randolph.
5. Visceral Culture: Blushing and the Legibility of Whiteness in Eighteenth-Century British Portaiture: Angela H. Rosenthal.
6. Making Sense out of the Visual: Aboriginal Presentations and Representations in Nineteenth-Century Canad: Ruth B Phillips.
7. Framing the Colony: Houses of Algeria Photographed: Zeynep Celik.
8. 'Modest Recording Instruments': Science, Surrealism and Visuality: David Lomas.
9. Art Beyond Aesthetics: Philosophical Criticism, Art History and Contemporary Art: Peter Osborne.
10. History as the Main Complaint: William Kentridge and the Making of Post-Apartheid South Africa: Jessica Dubow and Ruth Rosengarten.
Notes on Contributors.
Index.
Colour plate section falls between pages 90 and 91.
