 A Companion to Shakespeare's Sonnets
ISBN: 978-1-4051-2155-2
Hardcover
536 pages
January 2007, Wiley-Blackwell
US $149.95
 Add to Cart
This price is valid for United States. Change location to view local pricing and availability. Other Available Formats: Adobe E-Book
|
An online version of this product is available through our subscription-based content service. Visit Wiley InterScience now |
Notes on Contributors.
Acknowledgments.
Introduction: Michael Schoenfeldt (University of Michigan).
Part I: Sonnet Form and Sonnet Sequence:.
1. The Value of the Sonnets: Stephen Booth (University of California at Berkeley).
2. Formal Pleasure in the Sonnets: Helen Vendler (Harvard University).
3. The Incomplete Narrative of Shakespeare's Sonnets: James Schiffer (Northern Michigan University).
4. Revolution in Shakespeare's Sonnets: Margreta de Grazia (University of Pennsylvania).
Part II: Shakespeare and his Predecessors:.
5. The Refusal to Be Judged in Petrarch and Shakespeare: Richard Strier (University of Chicago).
6. "Dressing old words new"?: Re-evaluating the "Delian Structure": Heather Dubrow (University of Wisconsin-Madison).
7. Confounded by Winter: Speeding Time in Shakespeare's Sonnets: Dympna Callaghan (Syracuse University).
Part III: Editorial Theory and Biographical Inquiry: Editing the Sonnets:.
8. Shake-speares Sonnets, Shakespeare's Sonnets, and Shakespearean Biography: Richard Dutton (Ohio State University).
9. Mr. Who He?: Stephen Orgel (Stanford University).
10. Editing the Sonnets: Colin Burrow (All Souls College, Oxford).
11. William Empson and the Sonnets: Lars Engle (University of Tulsa).
Part IV: The Sonnets in Manuscript and Print:.
12. Shakespeare's Sonnets and the Manuscript Circulation of Texts in Early Modern England: Arthur F. Marotti (Wayne State University).
13. The Sonnets and Book History: Marcy L. North (Pennsylvania State University).
Part V: Models of Desire in the Sonnets:.
14. Shakespeare's Love Objects: Douglas Trevor (University of Iowa).
15. Tender Distance: Latinity and Desire in Shakespeare's Sonnets: Bradin Cormack (University of Chicago).
16. Fickle Glass: Rayna Kalas (Cornell University).
17. "Th'expense of spirit in a waste of shame": Mapping the "Emotional Regime" of Shakespeare's Sonnets: Jyotsna G. Singh (Michigan State University).
Part VI: Ideas of Darkness in the Sonnets:.
18. Rethinking Shakespeare's Dark Lady: Ilona Bell (Williams College).
19. Flesh Colors and Shakespeare's Sonnets: Elizabeth D. Harvey (University of Toronto).
Part VII: Memory and Repetition in the Sonnets:.
20. Voicing the Young Man: Memory, Forgetting, and Subjectivity in the Procreation Sonnets: Garrett A. Sullivan, Jr. (Pennsylvania State University).
21. "Full character'd": Competing Forms of Memory in Shakespeare's Sonnets: Amanda Watson (formerly University of Virginia Library).
Part VIII: The Sonnets in/and the Plays:.
22. Halting Sonnets: Poetry and Theater in Much Ado About Nothing: Patrick Cheney (Penn State University).
23. Personal Identity and Vicarious Experience in Shakespeare's Sonnets: William Flesch (Brandeis University).
Part IX: The Sonnets and A Lover's Complaint:.
24. "Making the quadrangle round": Alchemy's Protean Forms in Shakespeare's Sonnets and A Lover's Complaint: Margaret Healy (University of Sussex).
25. The Enigma of A Lover's Complaint: Catherine Bates (University of Warwick).
Appendix: The 1609 Text of Shakespeare's Sonnets and A Lover's Complaint.
Index
Acknowledgments.
Introduction: Michael Schoenfeldt (University of Michigan).
Part I: Sonnet Form and Sonnet Sequence:.
1. The Value of the Sonnets: Stephen Booth (University of California at Berkeley).
2. Formal Pleasure in the Sonnets: Helen Vendler (Harvard University).
3. The Incomplete Narrative of Shakespeare's Sonnets: James Schiffer (Northern Michigan University).
4. Revolution in Shakespeare's Sonnets: Margreta de Grazia (University of Pennsylvania).
Part II: Shakespeare and his Predecessors:.
5. The Refusal to Be Judged in Petrarch and Shakespeare: Richard Strier (University of Chicago).
6. "Dressing old words new"?: Re-evaluating the "Delian Structure": Heather Dubrow (University of Wisconsin-Madison).
7. Confounded by Winter: Speeding Time in Shakespeare's Sonnets: Dympna Callaghan (Syracuse University).
Part III: Editorial Theory and Biographical Inquiry: Editing the Sonnets:.
8. Shake-speares Sonnets, Shakespeare's Sonnets, and Shakespearean Biography: Richard Dutton (Ohio State University).
9. Mr. Who He?: Stephen Orgel (Stanford University).
10. Editing the Sonnets: Colin Burrow (All Souls College, Oxford).
11. William Empson and the Sonnets: Lars Engle (University of Tulsa).
Part IV: The Sonnets in Manuscript and Print:.
12. Shakespeare's Sonnets and the Manuscript Circulation of Texts in Early Modern England: Arthur F. Marotti (Wayne State University).
13. The Sonnets and Book History: Marcy L. North (Pennsylvania State University).
Part V: Models of Desire in the Sonnets:.
14. Shakespeare's Love Objects: Douglas Trevor (University of Iowa).
15. Tender Distance: Latinity and Desire in Shakespeare's Sonnets: Bradin Cormack (University of Chicago).
16. Fickle Glass: Rayna Kalas (Cornell University).
17. "Th'expense of spirit in a waste of shame": Mapping the "Emotional Regime" of Shakespeare's Sonnets: Jyotsna G. Singh (Michigan State University).
Part VI: Ideas of Darkness in the Sonnets:.
18. Rethinking Shakespeare's Dark Lady: Ilona Bell (Williams College).
19. Flesh Colors and Shakespeare's Sonnets: Elizabeth D. Harvey (University of Toronto).
Part VII: Memory and Repetition in the Sonnets:.
20. Voicing the Young Man: Memory, Forgetting, and Subjectivity in the Procreation Sonnets: Garrett A. Sullivan, Jr. (Pennsylvania State University).
21. "Full character'd": Competing Forms of Memory in Shakespeare's Sonnets: Amanda Watson (formerly University of Virginia Library).
Part VIII: The Sonnets in/and the Plays:.
22. Halting Sonnets: Poetry and Theater in Much Ado About Nothing: Patrick Cheney (Penn State University).
23. Personal Identity and Vicarious Experience in Shakespeare's Sonnets: William Flesch (Brandeis University).
Part IX: The Sonnets and A Lover's Complaint:.
24. "Making the quadrangle round": Alchemy's Protean Forms in Shakespeare's Sonnets and A Lover's Complaint: Margaret Healy (University of Sussex).
25. The Enigma of A Lover's Complaint: Catherine Bates (University of Warwick).
Appendix: The 1609 Text of Shakespeare's Sonnets and A Lover's Complaint.
Index
