 Photography and Philosophy: Essays on the Pencil of Nature
ISBN: 978-1-4051-3924-3
Hardcover
344 pages
March 2008, Wiley-Blackwell
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Acknowledgments.
List of Figures.
Contributors.
Introduction: Scott Walden (New York University).
1. Transparent Pictures: On the Nature of Photographic Realism: Kendall L. Walton (University of Michigan).
2. Photographs and Icons: Cynthia Freeland (University of Houston).
3. Photographs as Evidence: Aaron Meskin (University of Leeds) and Jonathan Cohen (University of California, San Diego).
4. Truth in Photography: Scott Walden (New York University).
5. Documentary Authority and the Art of Photography: Barbara Savedoff (City University of New York).
6. Photography and Representation: Roger Scruton (University of Buckingham).
7. How Photographs "Signify": Cartier-Bresson's "Reply" to Scruton: David Davies (McGill University).
8. Scales of Space and Time in Photography: "Perception Points Two Ways": Patrick Maynard (University of Western Ontario).
9. True Appreciation: Dominic Lopes (University of British Columbia).
10. Landscape and Still Life: Static Representations of Static Scenes: Kendall Walton (University of Michigan).
11. The Problem with Movie Stars: Noel Carroll (Temple University).
12. Pictures of King Arthur: Photography and the Power of Narrative: Gregory Currie (University of Nottingham).
13. The Naked Truth: Arthur C. Danto (Columbia University).
Epilogue.
Bibliography.
Index
List of Figures.
Contributors.
Introduction: Scott Walden (New York University).
1. Transparent Pictures: On the Nature of Photographic Realism: Kendall L. Walton (University of Michigan).
2. Photographs and Icons: Cynthia Freeland (University of Houston).
3. Photographs as Evidence: Aaron Meskin (University of Leeds) and Jonathan Cohen (University of California, San Diego).
4. Truth in Photography: Scott Walden (New York University).
5. Documentary Authority and the Art of Photography: Barbara Savedoff (City University of New York).
6. Photography and Representation: Roger Scruton (University of Buckingham).
7. How Photographs "Signify": Cartier-Bresson's "Reply" to Scruton: David Davies (McGill University).
8. Scales of Space and Time in Photography: "Perception Points Two Ways": Patrick Maynard (University of Western Ontario).
9. True Appreciation: Dominic Lopes (University of British Columbia).
10. Landscape and Still Life: Static Representations of Static Scenes: Kendall Walton (University of Michigan).
11. The Problem with Movie Stars: Noel Carroll (Temple University).
12. Pictures of King Arthur: Photography and the Power of Narrative: Gregory Currie (University of Nottingham).
13. The Naked Truth: Arthur C. Danto (Columbia University).
Epilogue.
Bibliography.
Index
