April 2011, Wiley-Blackwell
- Represents the first exhaustive introduction to cult cinema
- Offers a scholarly treatment of a hotly contested topic at the center of current academic debate
- Covers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic
Part I Receptions and Debates.
1 Cult Reception Contexts.
2 The Cult Cinema Marketplace.
3 Prestige, Awards, and Festivals.
4 Censorship and Criticism.
5 Fandom and Subculture.
6 The Cult Auteur.
7 Cult Stardom.
8 Camp and Paracinema.
9 Transgression and Freakery.
10 Gender and Sexuality.
11 Transnationalism and Orientalism.
12 Religion and Utopia.
Part II Themes and Genres.
13 Exploitation and B Movies.
14 Underground and Avant-garde Cinema.
15 Cult Cinema and Drugs.
16 Cult Cinema and Music.
17 Classical Hollywood Cults.
18 Cult Horror Cinema.
19 Cult Science Fiction Cinema.
20 Cult Blockbusters.
21 Intertextuality and Irony.
Credits and Sources.
Jamie Sexton is Senior Lecturer in Film and Television
Studies, Northumbria University, UK. He is the author of
Alternative Film Culture in Inter-War Britain (2008), editor
of Music, Sound and Multimedia: From the Live to the Virtual
(2007), and co-editor (with Laura Mulvey) of Experimental
British Television (2007).
Ernest Mathijs and Jamie Sexton are also co-editors of the book series Cultographies.
- Introduces the major areas of debate circulating around cult movies: reception, aesthetics, and politics/theory
- Explores prominent cult topics, like fandom, subculture, taste, auteurs, stars, fanzines, and festivals; each topic suggesting further reading and noting related films
- Includes numerous case studies of (in) famous cult movies like The Rocky Horror Picture Show, Donnie Darko, Casablanca, Eraserhead, and The Lord of the Rings
- Offers exhaustive bibliography and a glossary of cult-related language