Reading Romantic Poetry
May 2012, Wiley-Blackwell
- Provides a clear, lively introduction to Romantic Poetry, backed by academic research and marked by its accessibility to students with little prior experience of poetry
- Introduces many of the major topics of the age, from politics to publishing, from slavery to sociability, from Milton to the mind of man
- Encourages direct responses to poems by opening up different aspects of the literature and fresh approaches to reading
- Discusses the poets' own reading and experience of being read, as well as analysis of the sounds of key poems and the look of the poem on the page
- Deepens understanding of poems through awareness of their literary, historical, political and personal contexts
- Includes the major poets of the period, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Burns and Clare —as well as a host of less familiar writers, including women
Chapter One: The Pleasures of Poetry.
Public and Private.
Chapter Two: Solitude and Sociability.
The Romantic Resistance to Solitude.
Public and Private Friendships of Poets.
Friendships Tested and Trie.
Chapter Three: Common C.ncerns and Cultural Connections.
Common Causes: The Abolition.
Common Culture: Romantic Rainbows.
Chapter Four: Traditions and Transformations: Poets as Readers.
The Sonnet Revival.
Chapter Five: Reading or Listening? Romantic Voices.
The Language of Conversation: Lyrical Ballads.
Oral and Rural.
Standard English and the Freedom of Speech.
Chapter Six: Sweet Sounds.
Hidden Birds that Sing.
Sound and Sense.
Chapter Seven: Poems on Pages.
Romantic Poets: Then and Now.
From Vision to Volume.
Christabel, and Other Poems, 1816.
Reading according to Composition or Publication?
Fiona Stafford is Professor of English Literature at the University of Oxford, and a Fellow of Somerville College, Oxford. She has published on a wide range of Romantic literature, and is especially interested in the literary relationships between England, Scotland, Ireland and Wales. Her most recent work, Local Attachments: The Province of Poetry, explores the vital connection between poetry and place from the Romantic period to the present day. She has also edited novels by Jane Austen and Mary Shelley and is the author of Brief Lives: Jane Austen.
“There are gems of insight on every page of this engaging and clarifying book, which opens up familiar and unfamiliar poems to considerations of verbal texture just as much as it reveals them in their cultural and political contexts. Stafford’s Reading Romantic Poetryteaches as much by example as by precept. This is how to read Romantic poetry and it is, as such, an ideal introduction to the period’s literary culture as a whole.” (The BARS Review, 1 October 2014)
"These engagements with the nature of poetry are no mystical
celebration of a mysterious power—on the contrary: by
focusing on specific attempts Professor Stafford underlines the
demystifying facet of these poems which lay bare their own artifice
to their readers." (Cercles, 1 December 2012)
"An excellent, well-written resource for those interested in Romantic poetry … Stafford brings a new sensibility and fresh eye to the subject ... Highly recommended." (Choice, 1 October 2012)
—Michael O'Neill, Durham University
“A wonderful introduction to the subject by one of
Britain's foremost readers and critics of Romantic poetry. Stafford
is infinitely sensitive to the poems themselves, but also shows the
importance of historical contexts. An excellent study.”
—Jon Mee, University of Warwick
“A brilliantly informative guide that pinpoints the
essential qualities of Romantic verse. With its emphasis on the
pleasures of poetry, the artistic inventiveness and intellectual
ambition of Romantic writers, and the challenging cultural
conditions in which they worked, this is the perfect introduction
to Romantic poetry, unmatched in its breadth of reference and
—David Duff, University of Aberdeen
"A pleasure to read - this is an engaging, sensitive and
wide-ranging study. There is a real relish here for poetry - a
delight in its forms and voices, sounds and rhythms. A wonderful
guide to Romantic poetry, offering a rich appreciation of its
historical engagements, pleasures and possibilities."
—Dr Mina Gorji, University of Cambridge