2. Music and Concept.
5. Form and the Reconstruction of Form.
7. Early and 'Classical' Phases.
8. Vers une analyse des symphonies. .
9. Late Style (I).
10. Late Work without Late Style.
11. Late Style (II).
12. Humanity and Demythologization.
Comparative Table of Fragments.
Thematic Summary of Contents.
"These fragments shed valuable light not only on Adorno's thinking on Beethoven, but also equally importantly on the sources of Adorno's philosophy of music. Rolf Tiedemann's sensitive editing has produced a remarkably coherent volume out of the most disparate material, while Edmund Jephcott's translation rises magnificently to a difficult task." Max Paddison, University of Durham
This book offers a highly innovative insight into Beethoven's music, linking it to broader questions of philosophy, aesthetics, and social theory.
Brings together all of Beethoven's music in relation to the society in which he lived.
Adorno follows the gradual disintegration of unity in the classical music of Beethoven and his contemporaries and links it with the rationality and monopolistic nature of modern society.