Chapter One: The Pleasures of Poetry.
Public and Private.
Chapter Two: Solitude and Sociability.
The Romantic Resistance to Solitude.
Public and Private Friendships of Poets.
Friendships Tested and Trie.
Chapter Three: Common C.ncerns and Cultural Connections.
Common Causes: The Abolition.
Common Culture: Romantic Rainbows.
Chapter Four: Traditions and Transformations: Poets as Readers.
The Sonnet Revival.
Chapter Five: Reading or Listening? Romantic Voices.
The Language of Conversation: Lyrical Ballads.
Oral and Rural.
Standard English and the Freedom of Speech.
Chapter Six: Sweet Sounds.
Hidden Birds that Sing.
Sound and Sense.
Chapter Seven: Poems on Pages.
Romantic Poets: Then and Now.
From Vision to Volume.
Christabel, and Other Poems, 1816.
Reading according to Composition or Publication?
“There are gems of insight on every page of this engaging and clarifying book, which opens up familiar and unfamiliar poems to considerations of verbal texture just as much as it reveals them in their cultural and political contexts. Stafford’s Reading Romantic Poetryteaches as much by example as by precept. This is how to read Romantic poetry and it is, as such, an ideal introduction to the period’s literary culture as a whole.” (The BARS Review, 1 October 2014)
""These engagements with the nature of poetry are no mystical celebration of a mysterious power—on the contrary: by focusing on specific attempts Professor Stafford underlines the demystifying facet of these poems which lay bare their own artifice to their readers."" (Cercles, 1 December 2012)
""An excellent, well-written resource for those interested in Romantic poetry … Stafford brings a new sensibility and fresh eye to the subject ... Highly recommended."" (Choice, 1 October 2012)