China Homegrown: Chinese Experimental Architecture Reborn
Guest-editors Andong Lu and Pingping Dou
Today, architecture in China is at a watershed. Over the last decade, rapid urbanisation and the burgeoning economy turned the country into a playground for the world’s signature architects; making it possible to realise extravagant forms and structures at a vast scale. The Chinese government have now drawn a line under this phenomenon by issuing a directive calling an end to the ‘oversized, xenocentric, weird’ buildings devoid of character or cultural heritage that have sprung up across the country, requiring that urban architecture be ‘suitable, economic, green and pleasing to the eye’.
The Chinese government’s directive comes at a time that homegrown architecture has become increasingly self-assured and reflective in its approach. A new generation of architects in China in their 30s and 40s are emerging, and in a wholly contemporary way, they are exploring local responses to often bewildering urban and rural conditions and serious social and environmental challenges. This is often expressed through a revival of interest in traditional street patterns, courtyards and gardens. At the same time, architects are also recognising the opportunities to harness the potential of China’s established manufacturing base to develop prefabricated building systems. Innovative practices are employing new modes of working, such as research-based studio-teaching, field workshops, cross-disciplinary collaboration, research-based exhibitions, laboratory-based practice, design think-tanks and collective projects, generating a vibrant culture of design research.
Murray Fraser, Xiahong Hua, Xinggang Li, Yichun Liu, Xin Wang, Hui Wang, Philip F Yuan, Xin Zhang and Jingxiang Zhu and Shen Zhuang.
Archi-Union Architects, Atelier Archmixing, Atelier Deshaus, Atelier Li Xinggang, Gardening Studio, Integrated Architecture Studio, LanD Studio, Meta-project, People’s Architecture Office, Song Und Partner Atelier and Urbanus.